Click the subject you need help on and the corresponding instructions will open in this page. The guide is organized by subject in the navigation bar on the left. Welcome to the Magic Bullet Looks 4 User Guide. Magic Bullet Looks 4 User Guide.
PluralEyes is a standalone application, not a plug-in, so its results work with every video editor. Type of workflow that requires you to sync audio with video, Shooter PluralEyes 4 is a must.Pinned. I’ll try not to make this long-winded – but I thought I’d share the process I went through and the two solutions.12 Plug-Ins For Adobe Premiere Pro You Cant Live Without.
Audio from a Sound Devices recorder (perhaps a 633 or 644) Camera footage from two Canon C100s (23.98 fps AVCHD) rewrapped to MOV using EditReady, metadata maintained.PluralEyes 4.0 simplifies its interface, alleviating confusing controls and adding faster, more streamlined workflows with Premiere Pro CC and Final Cut Pro. ), which meant you might have to run the sync several times before getting it right.
Confirm FCP X was reading all format/metadata correctly. Confirmed that storyline settings were matching. Problem: Sync drift when syncing footage in FCP X in sync at beginning of clips, progressively and increasingly out of sync towards end of clips.
B) He forgot to reset the sample rate. Jim’s thoughts: A)Recordist thought we were shooting 24 fps and finishing in 23.98 so he did a trick to prevent us having to do a pull-down on the audio to match the telecine’d footage. We discussed the issues and the process. Repeat for each syncing group – yeah a lot of work.Contacted a friend who’s more adept with all things sound – shout out to Jim Schaefer.
All I would have had to do is change all of the audio to 48.048kHz and all of the audio (whether by FCP X automatically or me lining things up by slate) would have synced. Tried Jim’s advice and synced the changed clip in FCP X. Try resetting the sample rate of the original audio to 48.048kHz in Wave Agent and see if that works.
FCPX doesn’t care about frame rate metadata on audio clips and try to adjust audio files based on FPS information. Why this information wasn’t communicated to us, we don’t know. Why the recordist used this sampling rate, we don’t know.
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